Karen Carpenter, a singer who long suffered under the burden of the expectations that came with pop stardom, died on February 4, 1983, succumbing to heart failure brought on by her long, unpublicized struggle with anorexia.
Carpenter had a fixation with her weight from her earliest days performing with her brother, Richard, in and around their hometown of Downey, California. As a teenager, she dropped at least 25 pounds on a popular and severe weight-loss program known as “the Water Diet,” so that by the time she and Richard burst on the pop scene with their smash hit “Close To You”https://www.history.com/this-day-in-history/karen-carpenter-dies-of-anorexia
Rita Coolidge Groupie/Superstar
from you tube essay: "Superstar" is a 1969 song written by Bonnie Bramlett and Leon Russell (with a songwriting credit also given to Delaney Bramlett) During the first half of 1970, Joe Cocker's Mad Dogs and Englishmen Revue toured in the United States.
Ex-Delaney and Bonnie vocalist Rita Coolidge was a backup singer on this tour, and song co-writer Leon Russell was the bandleader. Some accounts have Coolidge suggesting or inspiring the song's creation in the first place, and working with Bonnie Bramlett on her portion of the writing. In any case, Coolidge was given a featured vocal on the song during the tour, she took the verses with an air of resignation but the choruses with more anguish."
in 1988 I produced Bonnie Bramlett when i managed
one of the studios where New Kids on the Block recorded, and Brad Delp of Boston
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Rita Coolidge Groupie/Superstar
https://youtu.be/dezora1bPX8File under: pathetic girl, bye bye....
trust me
https://www.allmusic.com/song/trust-me-mt0013292875
Song Review by Joe Viglione [-]
Songwriter Bobby Womack released this superb tune on his 1975 Safety Zone album, but in its form as the sleeper track on Janis Joplin's 1971 Pearl album, "Trust Me" emerges with great power, a performance that is Janis at her absolute best. Her voice goes from sweet in the first couple of lines to raspy when she so knowingly issues lines like "the older the grape, the sweeter the wine." Ken Pearson's organ works wonderfully alongside Bobby Womack's acoustic guitar and John Till's electric. Paul Rothchild's production work is simply amazing, choreographing this thick array of sounds and piecing them together perfectly, Brad Campbell's bass and Richard Bell's piano lines both dancing inside the changes. Listen to Clark Pierson's definite drums as the song fades out, a solid team effort recorded on September 25, 1970, just a week and a half before Janis would leave us. In a small catalog of work, "Trust Me" shows what truly gifted art Janis Joplin brought to this world. Having Womack participating is a treat, the element of the songwriter working with the interpreter and their camaraderie as a major contribution to this definitive version cannot be overlooked. The creative energy is in these grooves and one doesn't have to imagine how magical the room must have been when this music was made. It translates very well. As "Me & Bobby McGee" has been overplayed, "Trust Me" has been underexposed. This key piece of the Pearl album concisely shows Janis Joplin as the equal of Bessie Smith, Big Mama Thornton, Billie Holiday, Otis Redding and her other heroes. At certain moments during this song Joplin eclipses even those gods.
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