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Monday, November 14, 2022

Anorexic KAREN CARPENTER Deserved to Die for Destroying the song "Superstar"

Karen Carpenter, a singer who long suffered under the burden of the expectations that came with pop stardom, died on February 4, 1983, succumbing to heart failure brought on by her long, unpublicized struggle with anorexia.

Carpenter had a fixation with her weight from her earliest days performing with her brother, Richard, in and around their hometown of Downey, California. As a teenager, she dropped at least 25 pounds on a popular and severe weight-loss program known as “the Water Diet,” so that by the time she and Richard burst on the pop scene with their smash hit “Close To You”

https://www.history.com/this-day-in-history/karen-carpenter-dies-of-anorexia 

 

Rita Coolidge   Groupie/Superstar

https://youtu.be/dezora1bPX8 

from you tube essay: "Superstar" is a 1969 song written by Bonnie Bramlett and Leon Russell (with a songwriting credit also given to Delaney Bramlett) During the first half of 1970, Joe Cocker's Mad Dogs and Englishmen Revue toured in the United States.

 Ex-Delaney and Bonnie vocalist Rita Coolidge was a backup singer on this tour, and song co-writer Leon Russell was the bandleader. Some accounts have Coolidge suggesting or inspiring the song's creation in the first place, and working with Bonnie Bramlett on her portion of the writing. In any case, Coolidge was given a featured vocal on the song during the tour, she took the verses with an air of resignation but the choruses with more anguish."

in 1988 I produced Bonnie Bramlett when i managed

one of the studios where New Kids on the Block recorded, and Brad Delp of Boston

 

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Early on the morning of February 4, 1983, while staying in her parents home in Downey, Karen suffered a deadly heart attack, brought on by the physiological stresses placed on her system by the disease whose name soon entered the public consciousness: anorexia nervosa. She was only 32 years old.
 
Despite - or perhaps because of - her failed marriage, it was - possibly - Goodbye to Love where the Queen of Sickeningly Sweet Molasses Music finally showed a bit of soul.
But her destruction of the song "Groupie," sounding like a transvestite Donny Osmond on  Quaalude had the effect of listeners' ears drinking in pure Maple syrup without the pancakes and butter. So pedestrian and a clear inability to know or sing the blues.  Horrible.
  1. Nov 19, 2020 · Quaalude side effects. Common side effects of Quaaludes include: dizziness; nausea; vomiting; diarrhea; abdominal cramps; fatigue; itching; rashes; sweating; dry mouth; tingling sensation in arms and legs; seizures; reduced heart rate; slowed breathing (respiration). Quaaludes can also cause erectile dysfunction and difficulty achieving orgasms. At high doses it can cause mental confusion and loss of muscle control (ataxia).

An unfeeling cold robot reciting "Doncha remember ya told me ya loved me baby" with the efficiency of a Detroit car assembly line.
 
That Carpenter failed to emulate Rita Coolidge in Mad Dogs and Englishmen only goes to show that the singer had one mouth and two ears, and only used the one mouth.
 
Thankfully, she was silenced for all eternity and will spend the rest of it in hell for ruining so many memories of such a great song. 
 _____________________________________
...and I can hardly wait to sleep with you again...what to say, to make you come again....

Rita Coolidge   Groupie/Superstar

https://youtu.be/dezora1bPX8 

 
i had one of these
a guitarist in my band
I fired him.   Fuck him!  He was so beautiful, and such a psycho blonde....he told me he loved me too, and I loved him, but the psycho side was too much....if only, if only, y'know, the great songs we never wrote because he was such a head case, but oh can he play guitar.

Lou Reed's guitarist played with us and said "You can't get rid of him, he's too good..." but I said "Got to, he's out of control."   The second of two guys in my life to get banned at the old Cantab....ha!  They banned him, I fired him....but love the guy?  He was one of the great loves of my life... (and the only person my life partner banned from our home; which I was in total agreement with. Such a head case! He couldn't behave even with good people around him.  Read my book!   )

Karen, with all her millions, never had that.

File under: pathetic girl, bye bye....
 
best songwriting partner i ever had but,.,,,   but....  Lived it, Karen didn't know how to take her pain and make it work for her.
 
God knows that I do.  
 
Now here is a real singer:
 
 
and she did not overdose, she was murdered, but that's a story for another day...
 
Remember, I produced a fellow who was with her the day she died, and had the same girlfriend as Janis....  I know things...
 

trust me

https://www.allmusic.com/song/trust-me-mt0013292875

 

Song Review by Joe Viglione  [-]

Songwriter Bobby Womack released this superb tune on his 1975 Safety Zone album, but in its form as the sleeper track on Janis Joplin's 1971 Pearl album, "Trust Me" emerges with great power, a performance that is Janis at her absolute best. Her voice goes from sweet in the first couple of lines to raspy when she so knowingly issues lines like "the older the grape, the sweeter the wine." Ken Pearson's organ works wonderfully alongside Bobby Womack's acoustic guitar and John Till's electric. Paul Rothchild's production work is simply amazing, choreographing this thick array of sounds and piecing them together perfectly, Brad Campbell's bass and Richard Bell's piano lines both dancing inside the changes. Listen to Clark Pierson's definite drums as the song fades out, a solid team effort recorded on September 25, 1970, just a week and a half before Janis would leave us. In a small catalog of work, "Trust Me" shows what truly gifted art Janis Joplin brought to this world. Having Womack participating is a treat, the element of the songwriter working with the interpreter and their camaraderie as a major contribution to this definitive version cannot be overlooked. The creative energy is in these grooves and one doesn't have to imagine how magical the room must have been when this music was made. It translates very well. As "Me & Bobby McGee" has been overplayed, "Trust Me" has been underexposed. This key piece of the Pearl album concisely shows Janis Joplin as the equal of Bessie Smith, Big Mama Thornton, Billie Holiday, Otis Redding and her other heroes. At certain moments during this song Joplin eclipses even those gods.

 
Now here is a real singer:
 

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